by Arthur I. Miller, professor, history, University College London October 17, 2005
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Picasso's Les desmoiselle d'avignon
The most important scientist of the twentieth century, and its most important artist, went through their periods of greatest creativity almost simultaneously and under remarkably similar circumstances: Einstein's special theory of relativity and Picasso's Les Demoiselles d'Avignon. It turns out they were both working on the same problem: the nature of space and time and, more particularly, simultaneity. When they produced these astonishing works, Einstein and Picasso were not the distinguished elderly figures that later became so familiar: they were in their twenties, unknown, feisty, dirt-poor, and prone to getting into trouble.
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